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Wednesday, February 23, 2011

CHAINED LOVE

 No excuses necessary.  
World travels with The Vintagent... 
Slipping past armored doors into
outrageous stables.
An all-access ticket. 
 We must take something!  We must have some!
What shall we steal?  
Light
Reflected from metal.  
Carried away, in our pockets, little metal boxes.
 We own nothing, nothing will save us from dissipation.
Our stolen light
As precious as the thing itself,
And a lot less trouble...trust me on this one.
To own is to be owned.
To possess is to be possessed.
Be free, and love the thing of beauty for what it is
and not because you think you own it.
You own nothing
but your character, your work, and your actions.
 This is what lives beyond you,
while your possessions move to other hands,
like faithless lovers.

But, oh lord!  Are they beautiful!














Wednesday, February 16, 2011

ROLLIE FREE 'BATHING SUIT' VINCENT AT QUAIL

It appears the star of the upcoming Quail Motorcycle Gathering will be one of the most famous motorcycles in history, the ex-Rollie Free Vincent Black Shadow which he rode to 150mph in 1948, wearing only his swim trunks, a helmet, and a pair of trainers...and that's why you pay someone else to ride at 150mph on the coarse salt of Bonneville!  The bike was later converted back to road use for its actual owner, John Edgar, but John had a road accident on the machine and didn't ride it afterwards.  It was decided during a re-commissioning to bring the Vincent back to its star turn at Bonneville, complete with Pegasus sticker on the tank.  And, I can't say I blame them, as there are thousands of road-going Vincents, but only one 'Bathing Suit' bike.  Rumors flew at Las Vegas this year that 'Free' Vincent recently changed hands for $1.1 Million...

The Quail will include a Concours this year, so if you have an interesting machine you'd like to show in the most beautiful surroundings on the West Coast, contact Courtney Porras-Ferrante for an entry.  See my previous post on what an excellent event this is shaping up to be. 
John Edgar (left) congratulates Free...with the riding outfit he did NOT wear for the record!
The Quail press release is below:

CARMEL, CALIF. (February 7, 2011) – Quail Lodge Golf Club, announced today that The Quail Motorcycle Gathering will feature the world’s most famous motorcycle, the John Edgar Lightning, star of the renowned “Bathing Suit Bike” photograph, shot in Bonneville Salt Flats in 1948. The John Edgar Lightning will join the exceptional display of fine motorcycles at the third annual Quail Motorcycle Gathering, taking place on May 14, 2011.  This year, the event will pay tribute to a century of racing at Isle of Man, while also showcasing the top motorcycles from the past, present and concepts for future. Entrants are now being accepted, and collectors and aficionados are invited to exhibit their bikes.


Building on the success of its sister automotive event, The Quail, A Motorsports Gathering, the upcoming day-long celebration will offer guests an unmatched opportunity to compare the aesthetics and engineering of the world’s rarest pre-war and post-war sports and racing bikes, alongside spectacular custom motorcycles, all elegantly displayed in a picturesque Carmel Valley setting. For the first time, the optional full Concours judging will be offered for those enthusiasts interested in entering a motorcycle and competing for the coveted blue ribbon in their class.


“We are delighted to celebrate our third Annual Quail Motorcycle Gathering and bring together some of the most exciting motorcycles in history,” said Courtney Porras Ferrante, Signature Events Director for The Quail Events. “Our guests will have the exclusive opportunity to view the array of exceptional bikes at The Quail Motorcycle Gathering, while enjoying a picnic lunch and live auction, and a beautiful spring weekend in Carmel.”
Alain deCadenet at the Pebble Beach warm-up ride, 2009.
With collectors and enthusiasts, attendees will view the latest products from leading motorcycle manufacturers, dealerships, accessories and lifestyle vendors. Guests will also enjoy live entertainment and a Southern-style barbeque lunch prepared by the culinary team at Quail Lodge. Attendees will gain access to Bonhams live auction of rare motorcycles and memorabilia, which will include Steve McQueen’s 1971 Husqvarna 400 Cross, which he famously rode shirtless on the cover of Sports Illustrated in 1971.  The auction will also feature a custom Yamaha R1, signed by World Champion Valentino Rossi, with proceeds to benefit Riders for Health. For more information about the Bonhams Auction, please visit here.


Tickets to The Motorcycle Gathering are $65 per person, $15 for children 12 and under, and inclusive of lunch, live musical entertainment and access to the Bonhams & Butterfields Auction. The benefiting Charity will be Riders for Health, an international non-profit organization that provides health workers across Africa with reliable, motorized transportation as well as the necessary training in riding, driving, and maintenance. For more information on the organization, please visit www.riders.org. Event tickets are on sale now and can be purchased online at www.quaillodgetickets.com.

To kick-off The Quail Motorcycle Gathering, enthusiasts are invited to participate in the one-day Quail Ride on Friday, May 13, 2011. The Ride, limited to 50 participants, will wind through 100 miles of the backroads of the Monterey Peninsula and conclude with a private dinner. The fee to participate in the Ride is $250 per rider, and includes a gift bag, lunch, track time at the legendary Mazda Raceway Laguna Seca, and admission to an intimate dinner reception featuring special guest speakers, and a private sneak preview of the Bonhams Auction motorcycles. Ride participants also will receive a ticket to The Quail Motorcycle Gathering and an invitation to display a bike as an entrant.


A limited number of entrants and event sponsorships are still available. For more information, please call (877) 734-4628.

Sunday, February 13, 2011

BUILDING A 'FOUR' IN THE 1960s

1973 Penthouse Pet of the Year, Patricia Barrett
In the mid 1960s an overhead-camshaft four cylinder engine was the object of fantasy and an ideal of red-blooded motorcyclists everywhere.  None were available commercially, barring a few ungainly 600cc MV Agustas, prohibitively expensive and with virtually no support from the MV factory, almost an apology or misdirection to fans eager for a roadster version of their all-conquering World Championship racing 4s.
Showing off the finned oil sump, and width of the motor
Honda had not yet translated their remarkable RC161 racing four-cylinder to the public, that would happen soon though.  It's hard to visualize today that while four-cylinder motorcycle engines had been around since the first FN's pioneering machine of 1905, no factory in the early 1960s offered a 'four' worth its salt.   Creative motorcyclists responded to this decades-old desire as they always had - they made their own, by lashing together a pair of twin-cylinder engines, or, for the truly inspired, fabricating the completely home-designed 'cammy' fours (Nougier, Marsh, etc), which cropped up in magazines like exotic flowers, typically built for racing. 
NSU Prinz 1000, the rusty donor car.
Another route to a 'four' was to pull the engine from a small car and stuff it into a motorcycle frame, as several 'special' builders did, some even in series, like Friedl Münch. The most capacious frame in the 1960s was the Norton Featherbed, in production for 10 years already, meaning plenty of 'loose' frames were laying in salvage yards or with blown engines at home.  An engine with good 'spec' was actually hard to find, as most 'fours' in cars were both water-cooled and made of cast iron - guaranteeing a very heavy motorcycle.  A few small engines were of more advanced spec, with the two most likely candidates (in Europe at least) with full and deep motorcycle connections built into their DNA.
Looking like a Gilera spy photo, almost!
The engine originally used twin Solex carbs

The Hillman 'Imp' had a lovely and powerul engine, albeit watercooled, designed by unsung Norton hero Leo Kusmicki, the man who touched the 'Manx' with his magic wand and kept it competitive for 10 years after its 'sell-by' date.  Kusmicki went to work for the automotive industry after Norton shuttered its race shop, and the ohc 'Imp' engine was well-known as strong and capable of being tuned to a high pitch.  The water-cooling dissuaded many solo motorcyclists, although plenty of racing sidecar outfits found the need to carry water a small price to pay, given the cheap power an Imp provided.  Who needed the money of Count Agusta when a wrecked Hillman provided a readymade power unit?
Sitting comfortably within the Featherbed frame...
Another car-engine donor came from venerable motorcycle manufacturer NSU.  The engine from their 'Prinz' automobile, which served long years as a rally competitor, was successively tuned by the carmaker to ever sportier iterations, with the '1200 TTS' the ultimate model, appearing at the right moment to inspire plenty of dreaming two-wheel tinkerers.  And it was air-cooled and all-aluminum, with handsome finning, and few awkward casting shapes to spoil its looks.  The Prinz engine fit into the Norton frame without cutting metal, although the bolt-on sump needed a revamp... heaving the lump into a Norton frame looks simple, at first.  The reality of mating this engine with a gearbox, primary chain, and clutch, and a functioning oil sump, was far more complicated than that seductive 'looks easy' mental image.  Skilled fabrication was essential for everything to line up and function properly; a talented stylist was needed to make the result look like a proper motorcycle.
The 1058cc NSU engine, with chain-driven OHC.
Mick King (from the 'Norton Not Mammut' post) was kind enough to share his process, in photos, of taking a rustbucket NSU Prinz and a 1967 Norton Atlas chassis, and creating a successful hybrid.  The photos hint at the measuring, drawing, and fabrication time required to bring the elements together, something easy to forget when looking at the finished product.  That is the magic and drawback of a successful job - it looks easy!  The Italians call this 'Sprezzatura'  - making the difficult look effortless; the mark of mastery.
No airbox yet to fill the 'gap' - a mockup shot.
The build took him long enough that both the Honda 'CB750' and the Norton 'Commando' emerged on the market in the meantime, but as his machine was never meant as a production exercise, the Commando contributed useful bits to his Norton/NSU: the front forks and disc brake, mufflers, seat, and clutch.
From the rear, almost a Norton Atlas, barring the extra Peashooter mufflers!
 The two 'big' jobs in translating the engine from car to bike were the sump, which Mick cast in shapely aluminum to fit between the Norton frame rails, and the clutch/transmission interface, which he solved via an extended, demountable coupling between the gearbox and clutch, using a 'simple' steel box attached to the engine plates, which holds an outrigger bearing for the extended clutch shaft.  This also meant installing the Norton gearbox backwards!  Yes, it works fine both ways, but Mick had to reverse the 'pawl' on the kickstart shaft. The photographs should explain his thinking, which seems sound enough - the clutch no longer runs on the gearbox mainshaft but its own stub shaft, connected to the gearbox via a mated pair of pegged plates, similar to BMW shaft-drive practice.  All very clever and relatively simple.
The extension 'box' for the clutch; note clutch release pushrod in the center.
The donor NSU model was the 'Prinz 1000', and had Mick King read the specifications for this model, he might have thought twice about the engine!  While an impressive 'spec' the standard Prinz only produced 40hp @ 5500rpm, which is about 10hp less than the Norton Atlas engine which he abandoned to make his 'special'... no wonder then that he was shocked to find his finished hybrid a 'gutless wonder'.  If Mick had access to the latest model (1968) NSU TTS, he would have found a 70hp engine, using 10.5:1 compression pistons (not much room for increase there!) and sporting camshaft.  After Mick's engine tuning work, the Norton/NSU was capable of 125mph, so it seems he equaled the NSU factory in hotting up the engine.
Vancouver 1973, winning 'Best in Show'
The finished machine did well on the 'show bike' circuit in the early 1970s, garnering Mick many 'Best of Show' wins, and the snap (top) with the 1973 Penthouse Pet of the Year,  Patricia Barrett.  Which you may think is irrelevant, but consider that the 1971 Pet of the Year, Stephanie McLean, was racer Barry Sheene's wife. 
Before the airbox, but after painting; showing four carbs now.
Mick King's motorcycle shop in BC; Superformance.

Friday, February 11, 2011

BEFORE THE 'BANDIT'


After legendary Triumph boss Edward Turner retired from the motorcycle factory in 1963, he holed up in a BSA subsidiary, CarBodies Ltd of Coventry, and simply couldn't keep his hand out of the old business.  Having entered the hallowed pantheon of Motorcycle Greats with his popular, stylish, and sometimes avant-garde machines from the 1920s onwards, he is best remembered as the man who made a parallel-twin engine look like a twin-exhaust-port single cylinder machine (the 500cc Speed Twin of 1938), which fit snugly into the existing 'Tiger 90' (a beauty as well) single-cylinder chassis.  This new combination had magic in name, looks, and performance, and set the tone for the British motorcycle industry for the nearly 50 years, for better or worse (worse at the end!).
Turner with his 650cc Triumph engine, ca.1960
Edward Turner visited Japan in 1960, and saw firsthand the technical superiority of the motorcycles being produced there, even if, at that time, bikes built there were small capacity (250cc and under), or clones of larger foreign machines (eg, the Kawasaki 'W1' copy of the BSA A10, and the Rikuo H-D clone). Unable to rouse his Board of Directors to make the necessary investment and produce a modern design in England, Turner chose to retire, unhappy with the direction of the British industry as a whole.  Still, he had always done interesting work as a freelancer, having come up with an advanced overhead-camshaft single-cylinder bike in 1925, and penned the foundation for what became the overhead-camshaft Ariel 'Square Four' in 1928 - which got him a job at Ariel under Valentine Page, and his radical design developed into metal by 1930.
The radical 1930 Ariel 'Square Four' ohc 500cc engine
From the sidelines in 1967, Turner sketched out a direct challenge to the Honda CB450 'Black Bomber', whose performance nearly equaled his beloved but aging line of 650cc Triumph twins... the Honda rubbing salt in the wound with an electric starter and leak-free, reliable running.   Turner poached a few Triumph employees to build up a running prototype of his double-overhead-camshaft, twin-cylinder 350cc bike with a short-stroke, 180degree crankshaft - exactly the spec of the Honda, but with 100cc less capacity.  Turner was confident his decades of experience squeezing power from his twins would yield excellent performance from this smaller engine, and so it proved to be.  The little bike hit 112mph in tests, faster than the Honda.  The styling was swiped from the current Ducati Monza, which wasn't the first or last time the English took a leaf from the book of Italian bodywork.
Wesley Wall of the NMM staff tests the prototype.
While an advanced machine on paper, with a mechanical disc brake, those cams up top, and excellent performance, the reality was, Turner had designed a hand grenade.  The Triumph brass (chairman Eric Turner - no relation), instructed chief engineer Bert Hopwood to ready the experimental machine for production.  Hopwood, performing an autopsy on the little machine after it broke its crankshaft on test, considered the design "fundamentally unsafe",  and set about, with Doug Hele, designing a wholly new motorcycle, with enough of the 'ghost' of Turner's idea clearly visible to satisfy the Board.
Chain-driven camshaft drive...
Hopwood's version of the DOHC twin, called the 'Bandit', had a stronger crankshaft, a chain primary drive instead of expensive gears, a 5-speed gearbox, electric starter, and a frame based on Percy Tait's 500cc grand prix racer, designed by Ken Sprayson of Reynolds Tube.  The Bandit was a real winner, with the same performance as Turner's machine, but promised reliability, excellent handling, and truly modern specification.  BSA shifted its mighty girth and tooled up for production in 1971, but less than 30 machines were built before the plug was pulled on the whole enterprise, as the British motorcycle industry began a period of free fall.
Pull the pin, lad, and it'll shortly explode...
Turner's prototype has been restored to running condition by John Woodward, on staff at the National Motorcycle Museum in Birmingham.

Many thanks to Mick Duckworth for forwarding these photos and information about the prototype!

Wednesday, February 9, 2011

KARLHEINZ WEINBERGER: BACK IN THE NEWS


Trendhunters, fashionistas, and bona fide designers are desperate for new source material to mine, as the old standards - Steve McQueen, James Dean, Marylin - are becoming a bit predictable.  How many times can we see the ultra-cool visage of Steve giving his famous 'two fingers' salute at LeMans before we yawn and pass right by...we've seen it before, attached to the previous product to license his face.

When a genuine original is spotted, published in an obscure (preferably out-of-print) monograph, and a rumored exhibition years ago which nobody really saw (barring those who claim to have seen it, like the half-million attendees at the Sex Pistol's last concert in San Francisco), frissons of excitement run through the design world.  The hungry maw of Capital sends its advance men, the savvy super-expert buyers and trend forecasters for Ralph Lauren and Chanel, true curators of future style, to analyze and grab the essence of what is different about this new find.  Preferably, a new-found gold mine is just different enough to bump the existing product line into a new and irresistible direction, forcing the hands of a million consumers to lay their Amex on the table, trumped by a well-played hand of fashion poker.

Karlheinz Weinberger, the late-celebrated Swiss photographer (see my previous article here), is back on the scene this month, with TWO exhibitions in New York, plus the release of a Rizzoli monograph, 'Rebel Youth', with an introduction by John Waters ("Karlheinz Weinberger was from Switzerland?!?  You gotta be kidding me."). It appears we will no longer have to spend $1000 on ebay for our Weinberger books...

The New York Times ran a story today on the imminent flood of Karlheinz-mania, which includes an exhibition at the Swiss Institute (495 Broadway), 'Intimate Stranger', opening today (Feb 9, 2011), which includes a selection of the actual jackets and pants created by the young gang members in Weinberger's photographs.  And let us remember that what makes Karlheinz Weinberger distinctive and worthy of image-poaching is not his photographic technique - charmingly crude in-home 'studio' setups of his young friends - but the very subjects of his best-known work, the 'Halbstark' (half-strength) kids who worshiped Elvis and James Dean from a long, long distance, and grew their own feral-fashion island in the midst of placid Switzerland.  Thus, we celebrate the photographic portal through which we see these long-ago youngsters, not the actual creators of this amazing style, the original fanboys and girls, and to my knowledge none of them have come forward to claim their Vivienne Westwood moment as the true originator of an amazing 'look'.

The second exhibit at Anna Kustera Gallery (520 W. 21st - opening Feb 11th) features posthumously-printed color photographs, to be shown publicly for the first time.  All this just in time for New York's 2011 Fashion Week; what a coincidence!   Stay tuned for oversize belt buckles and horseshoes, but I doubt the zipper-replaced-by-bolts thing will appear anywhere but a John Galliano runway show... mark my words.